Victorian Secrets was an independent publishing house specialising in Victorian and Edwardian literature, biography and cultural history.
M Keller Creative Studios was commissioned to design the complete book jackets and artwork for two biographies: The Perfect Man, the story of pioneering bodybuilder Eugen Sandow, followed by Hope & Glory, a biography of the celebrated contralto Clara Butt.
Both designs drew on the visual culture of their subjects’ eras, combining historical imagery, period-inspired typography and decorative illustration to give each book its own identity while maintaining a shared visual character across the publisher’s biographical titles.
The first commission for Victorian Secrets was the complete book jacket for The Perfect Man, a biography of Eugen Sandow, the pioneering bodybuilder and physical culture icon.
The design drew on the visual language of late Victorian advertising, combining period-inspired lettering, decorative flourishes and historical photography. The resulting jacket reflects the theatricality of Sandow’s public image and the era in which he became a celebrity.





The second commission for Victorian Secrets was the complete book jacket for Hope & Glory, a biography of Dame Clara Butt, the celebrated British contralto.
The design drew on Edwardian portraiture, decorative typography and historical sheet music, reflecting Butt’s career and the visual culture of her era. A restrained palette and period-inspired ornament brought these elements together in a jacket that complemented The Perfect Man while giving the book its own distinct character.




Your Inspection Welcome was a publishing project built around vintage interiors, collected objects and the stories people tell through their homes.
The book brought together photography, written commentary, interviews and page layouts to present real domestic spaces as lived-in collections rather than styled interiors.
The project treated each home as a portrait of its owners: not just a set of rooms, but a collection of choices, objects, habits and personal histories.
The writing and image selection were shaped to preserve that sense of character, allowing the interiors to feel personal, eccentric and specific rather than polished into a conventional design-book style.
The finished material combined interior photography, object details, short pieces of commentary and designed page spreads.
Rather than separating text and image into rigid sections, the book used captions, annotations and visual groupings to guide the reader through each space, giving the pages the feel of a guided inspection, part tour, part archive.
A selection of photography, page layouts and interior details from the project.











